In Are We Free to Move About the World, global contemporary artists examine the great paradox of the passport in the context of our migration crisis—its ability to grant freedom of movement as well as curtail it.
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In a year defined by great turmoil, sorrow, and division, Encounters features women artists from the South Asian diaspora who came together across geographical, cultural, political, and religious boundaries.
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On Protest and Mourning explores how we grapple with anger, loss, and grief in response to state violence and police brutality perpetrated against Black lives.
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Women’s Work presents five global contemporary artists-activists who continue to expand the definition of women’s work and expose its complexity, nuance, and ever-evolving nature.
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Race, Myth, Art and Justice explores the premise of “race” as a social construct rooted in myth, while simultaneously interrogating its profound implications and indignities on our 21st century lives.
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The artists in Liminal Space represent both spectrums of migration: the ones who leave and the ones who are left. They tease out symbols of decay and loss, avoiding trappings of nostalgia by envisioning avenues out of displacement.
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Un | Fixed Homeland brings together an inter-generational roster of artists of Guyanese heritage who, via photography and photography-based art, explore their intimate relationship to the experience of migration and homeland.
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