Publications

Publications

Books

 

Reviews

‘A meditation on the fraught, fragile, and complicated love for place, ‘Liminal Spaces’ is ultimately an act of resistance. The fifteen women refuse to give in to the label of ‘disappearing’. Their words and art demand that they be seen.’ —Wasafiri Journal

‘Conceived as a visual exhibition on the page, ‘Liminal Spaces’ brings incredibly timely insights on the Guyanese diaspora to the fore. Through artworks, it is able to cover more ground than a classic scholarly analysis would be able to, while making it accessible to different audiences. As one of the only contributions of its kind, its importance cannot be overstressed.’ —GRIOT

Liminal Spaces: Migration and Women of the Guyanese Diaspora explores the art and migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives—from those who leave Guyana, and those who are left—and seven seminal decades of Guyana’s history—from the 1950s to the present day—bringing the voices of women to the fore. The volume is a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation.’ Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland,’ and grapple with ideas of place and accountability.

 

NYU Abu Dhabi Institute in conversation with Grace Aneiza Ali on the launch of “Liminal Spaces.”

Exhibition Catalogues

Museum of Fine Arts, Tallahassee, Florida, 2023

Pen and Brush, New York City, 2019

Caribbean Cultural Center, New York City, 2018

Aljira Contemporary Art, Newark New Jersey, 2016

 

Book Chapters, Journal Articles & Essays

Frank Bowling: The Mother’s House Paintings

Forum, Perez Art Museum Miami, 2023

Artistic Responses to Crossing the Kālā Pānī

 

The Motherland Between Us

Deborah Jack: Beginnings

Deborah Jack: 20 Years, Pen & Brush, New York 2022

Suchitra Mattai’s Unravelings

The World in Which We Find Ourselves

Unraveling the Present, Sharjah Art Foundation, 2021


“Women, Art & Activism in Guyana,” in Women, Gender, and Families of Color, University of Illinois Press, Spring, 2021.

 
“Un|Fixed Homeland: Exploring the Guyanese Experience of Migration,” Transition Magazine, Hutchins Center, Harvard University, Issue 121, November 2016.

Un|Fixed Homeland: Exploring the Guyanese Experience of Migration,” Transition Magazine, Harvard University, Fall, 2016.

“The Ones Who Leave and the Ones Who Are Left,” Women and Migration: Responses in Art and Art History, Open Book Publishers, Cambridge,United Kingdom, 2019, pg. 473-89.

“The Ones Who Leave and the Ones Who Are Left,” in Women and Migration: Responses in Art and Art History, Open Book Publishers, 2019.

“Rituals, Remembrance, Rupture, and Repair: The Jhandi Flag in Contemporary Guyanese Art,” Asian Diasporic Visual Cultures and the Americas, April 2019, pg. 195-200.

“The Jhandi Flag in Contemporary Guyanese Art,” in Asian Diasporic Visual Cultures and the Americas, Spring, 2019.

 
“A Return to Roots,” Nueva Luz Photographic Journal, Volume 16, Issue 2, Summer, 2012.

“A Return to Roots,” Nueva Luz Photographic Journal, Summer, 2012.

“Beautiful Ambiguities,” in Gender and the Caribbean Body, Small Axe Salon 18, February 2015.

“Beautiful Ambiguities,” in Gender and the Caribbean Body, Small Axe Salon 18, February 2015.

“Unfixed Homeland: Artists Imagining the Lives of Women of Windrush,” Wasafiri, London, United Kingdom, Issue 94: Summer, 2018, pg. 31-40.

“Unfixed Homeland: Artists Imagining the Lives of Women of Windrush,” Wasafiri, Summer, 2018.

 

“A Guyana Worldview,” Nueva Luz Photographic Journal, Fall, 2013.

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